Barbara Joan "Barbra" Streisand (
;
born April 24, 1942) is an American singer, songwriter, actress, and
filmmaker.
Her career spanning six decades, she has become an icon in
multiple fields of entertainment, and has been recognized with two
Academy Awards,
[1] ten
Grammy Awards including the
Grammy Lifetime Achievement Award and the
Grammy Legend Award,
[2] five
Emmy Awards including one
Daytime Emmy,
[3] a
Special Tony Award, an
American Film Institute award, a
Kennedy Center Honors prize,
[4] four
Peabody Awards,
[5] the
Presidential Medal of Freedom,
[6] and nine
Golden Globes.
[7]
She is among a small group of
entertainers who have been honored with an Emmy, Grammy, Oscar, and Tony Award, and is one of only two artists who have also won a Peabody.
[8]
Streisand is one of the
best-selling music artists of all time, with more than 68.5 million albums in the United States and with a total of 145 million records sold worldwide,
[9][10] (The only female in the top ten, and the only artist outside of the rock 'n' roll genre.)
[11]
making her the best-selling female artist among the top-selling artists
recognized by the Recording Industry Association of America,
[9][10][12][13][14]
After beginning a successful recording career in the 1960s, Streisand
ventured into film by the end of that decade. She starred in the
critically acclaimed
Funny Girl, for which she won the
Academy Award and
Golden Globe Award for Best Actress.
[15]
Her other films include
The Owl and the Pussycat,
The Way We Were, and
A Star Is Born, for which she received her second
Academy Award, composing music for the love theme "
Evergreen", the first woman to be honored as a composer.
[16]
With the release of
Yentl in 1983, Streisand became the first woman to write, produce, direct, and star in a major studio film.
[17] The film won an Oscar for Best Score and a Golden Globe for
Best Motion Picture Musical; Streisand received the
Golden Globe Award for Best Director, the first (and to date only) woman to win that award.
The
RIAA and
Billboard
recognize Streisand as holding the record for the most top 10 albums of
any female recording artist: a total of 34 since 1963.
According to
Billboard, Streisand holds the record for the female with the most number one albums (11).
[18]
Billboard also recognizes Streisand as the greatest female of all time on its
Billboard 200 chart and one of the greatest artists of all time on its Hot 100 chart.
[19][20]
Streisand is the only recording artist to have a number-one album in
each of the last six decades, having released 53 gold albums, 31
platinum albums, and 14 multi-platinum albums in the United States.
[2]
Barbra Streisand
Early life
Family
Barbara Joan Streisand was born on April 24, 1942, in
Brooklyn,
New York, the daughter of Diana (born Ida Rosen) and Emanuel Streisand.
Her mother had been a soprano singer in her youth and considered a
career in music, but later became a school secretary.
[21]
Her father was a high school teacher at the same school, where they
first met. Streisand's family was Jewish; her paternal grandparents
emigrated from
Galicia (
Poland–
Ukraine) and her maternal grandparents from
Russia, where her grandfather had been a cantor.
[22]
Her father earned a master's degree from City College of New York in
1928 and was considered athletic and handsome. As a student, he spent
his summers outdoors, once working as a lifeguard and another
hitchhiking through Canada. "He'd try anything," his sister Molly said.
"He wasn't afraid of anything."
He married Ida in 1930, two years after
graduating, and became a highly respected educator with a focus on
helping underprivileged and delinquent youth.
[23]:3
In August 1943, a few months after Streisand's first birthday, her father died suddenly at age 34 from complications from an
epileptic seizure, possibly the result of a head injury years earlier.
[23]:3 The family fell into near-poverty, with her mother working as a low-paid bookkeeper.
[24]
As an adult, Streisand remembered those early years as always feeling
like an "outcast," explaining, "Everybody else's father came home from
work at the end of the day. Mine didn't."
[23]:3
Her mother tried to pay their bills but could not give her daughter the
attention she craved: "When I wanted love from my mother, she gave me
food," Streisand says.
[23]:3
Streisand recalls that her mother had a "great voice" and sang
semi-professionally on occasion, in her operatic soprano voice.
During a
visit to the Catskills when Streisand was thirteen, she told
Rosie O'Donnell,
she and her mother recorded some songs on tape. That session was the
first time Streisand ever asserted herself as an artist, which also
became her "first moment of inspiration" as an artist.
[25]
She has an older brother, Sheldon, and a half-sister, the singer
Roslyn Kind,
[26][27] from her mother's remarriage to Louis Kind in 1949. Roslyn is nine years younger than Streisand.
[28][29]
Education
Streisand began her education at the Jewish Orthodox
Yeshiva
of Brooklyn when she was five. There, she was considered to be bright
and extremely inquisitive about everything; however, she lacked
discipline, often shouting answers to questions out of turn.
[23]:3
She next entered Public School 89 in Brooklyn, and during those early
school years began watching television and going to movies. Watching the
glamorous stars on the screen, she was soon entranced by acting and now
hoped someday to become an actress, partly as a means of escape: "I
always wanted to be somebody, to be famous . . .You know, get out of
Brooklyn.
[23]:3
Streisand became known by others in the neighborhood for her voice.
With the other kids she remembers sitting on the stoop in front of their
flat and singing: "I was considered the girl on the block with the good
voice."
[23]:3
That talent became a way for her to gain attention. She would often
practice her singing in the hallway of her apartment building which gave
her voice an echoing quality.
[30]
She made her singing debut at a PTA assembly, where she became a hit
to everyone but her mother, who was mostly critical of her daughter.
Young Streisand was invited to sing at weddings and summer camp, along
with having an unsuccessful audition at MGM records when she was nine.
By the time she was thirteen, her mother began supporting her talent,
helping her make a four-song demo tape, including "Zing! Went the
Strings of My Heart," and "You'll Never Know."
[23]:4
Although she knew her voice was good and she liked the attention,
becoming an actress was her main objective. That desire was made
stronger when she saw her first Broadway play,
The Diary of Anne Frank, when she was fourteen.
The star in the play was
Susan Strasberg, whose acting she wanted to emulate if ever given the chance.
[23]:4
To help achieve that goal, Streisand began spending her spare time in
the library, studying the biographies of various stage actresses such as
Eleanora Duse and
Sarah Bernhardt.
In addition, she began reading novels and plays, including some by
Shakespeare and Ibsen, and also on her own, studied the acting theories
of
Konstantin Stanislavski and
Michael Chekhov.
[23]:4
She attended
Erasmus Hall High School
in Brooklyn in 1955 where she became an honor student in modern
history, English, and Spanish.
She also joined the Freshman Chorus and
Choral Club, where she sang with another choir member and classmate,
Neil Diamond.
[31]
Diamond recalls, "We were two poor kids in Brooklyn. We hung out in the
front of Erasmus High and smoked cigarettes." The school was near an
art-movie house, and he recalls that she was always aware of the films
they were showing, while he wasn't as interested.
[32]
During the summer of 1957 she got her first stage experience as a
walk-on at the Playhouse in Malden Bridge, New York. That small part was
followed by a role as the kid sister in
Picnic and one as a vamp in
Desk Set.[23]:4
She returned to school in Brooklyn but never took dramatic arts
classes, preferring instead to gain some real-world stage experience. To
that end, in her sophomore year, she took a night job at the Cherry
Lane Theater in
Greenwich Village helping backstage.
When she was a senior, she rehearsed for a small part in
Driftwood, a play staged in a midtown attic space.
[23]:5 Her co-star in
Driftwood was
Joan Rivers.
At age sixteen, she graduated from Erasmus Hall in January 1959, and
despite her mother's pleas that she stay out of show business, she
immediately set out trying to get roles on the New York City stage.
[23]:5
After renting a small apartment on 48th street, in the heart of the
theater district, she accepted any job she could involving the stage,
and at every opportunity, she "made the rounds" of the casting offices.
[23]:5
Career beginnings
At
sixteen, then living on her own, Streisand's youth and ambition worked
in her favor, but she lacked a mature woman's physical features which
were needed for serious female roles.
She therefore took various menial
jobs to have some income. At one period, she lacked a permanent address,
and found herself sleeping at the home of friends or anywhere else she
could set up the army cot she carried around to save on rent expense.
When desperate, she would return to her mother's flat in Brooklyn for a
home-cooked meal.
However, her mother would be horrified by her
daughter's "gypsy-like lifestyle," wrote biographer
Karen Swenson, and again begged her to give up trying to get into show business;
[23]:6
but Streisand took her mother's pleadings as even more reason to keep
trying: "My desires were strengthened by wanting to prove to my mother
that I
could be a star."
[23]:6
She took a job as an usher at the Lunt-Fontanne Theater for
The Sound of Music,
early in 1960.
During the run of the play, she heard that the casting
director was auditioning for more singers, and it marked the first time
she sang in pursuit of a job.
[23]:6
Although the director felt she was not right for the part, he
encouraged her to begin including her talent as a singer on her résumé
when looking for other work.
[23]:6
That suggestion prodded Streisand to think seriously about a singing career, in addition to acting.
She asked her boyfriend,
Barry Dennen,
to tape her singing, copies of which she could then give out to
possible employers.
Dennen had acted with her briefly in an off-Broadway
play, but had no reason to think she had any talent as a singer, and
she never mentioned it. Nevertheless, he agreed and found a guitarist to
accompany her:
We spent the afternoon taping, and the moment I heard the first
playback I went insane. . . . This nutty little kook had one of the most
breathtaking voices I'd ever heard . . . when she was finished and I
turned off the machine, I needed a long moment before I dared look up at
her.[23]:6
Dennen grew enthusiastic and he convinced her to enter a talent contest at the Lion, a
gay nightclub in Manhattan's
Greenwich Village.
She performed two songs, after which there was a "stunned silence" from
the audience, followed by "thunderous applause" when she was pronounced
the winner.
[23]:7
She was invited back and sang at the club for several weeks.
[33]
It was during this time that she dropped the second "a" from her first name,
[33] switching from "Barbara" to "Barbra", due to her dislike of her original name.
[34]
Nightclub shows and Broadway stage
Streisand
was next asked to audition at the Bon Soir nightclub, after which she
was signed up at $125 a week. It became her first professional
engagement, in September 1960, where she was the opening act for
comedian
Phyllis Diller.
She recalls it was the first time she had been in that kind of
upper-scale environment: "I'd never been in a nightclub until I sang in
one."
[23]:7
Dennen now wanted to expose Streisand to his vast record collection of female singers, including
Billie Holiday,
Mabel Mercer,
Ethel Waters, and
Édith Piaf.
His effort made a difference in her developing style, as she gained new
respect for the art of popular singing. She also realized that she
could still become an actress by first gaining recognition as a singer.
[23]:7
According to biographer Christopher Nickens, hearing other great female
singers benefited her style, as she began creating different emotional
characters when performing, which gave her singing a greater range.
This range allowed her to sing with a dramatic voice or a
lighthearted, and playful one. Feeling more self-confident, she improved
her stage presence when speaking to the audience between songs.
She
discovered that her Brooklyn-bred style of humor was received quite
favorably.
[23]:8
During the next six months appearing at the club, some began comparing her singing voice to famous names such as
Judy Garland,
Lena Horne and
Fanny Brice.
Her conversational ability to charm an audience with spontaneous humor
during performances became more sophisticated and professional.
[23]:8
Theater critic
Leonard Harris,
in one of his reviews, could already envision her future success:
"She's twenty; by the time she's thirty she will have rewritten the
record books."
[23]:9
Her name is Barbra Streisand. She is 20 years old, she has a
three-octave promiscuity of range, she packs more personal dynamic power
than anybody I can recall since
Libby Holman or
Helen Morgan. She can sing as loud as
Ethel Merman and as persuasively as
Lena or
Ella, or as brassy as a
Sophie Tucker...and only Barbra Streisand can turn "
Cry Me a River" into something comparable to
Enrico Caruso having his first bash at
Pagliacci.
When Streisand cries you a river, you got a river, Sam...and she will
be around 50 years from now if good songs are still written to be sung
by good singers.
syndicated columnist Robert Ruark,
on her 1963 performances at the Blue Angel.[35][36]
Streisand, however, never lost her desire to be a stage actress, and accepted her first role on the New York stage in
Another Evening with Harry Stoones,
a satirical comedy play in which she acted and sang two solos.
The show
received terrible reviews and closed the next day. With the help of her
new personal manager,
Martin Erlichman,
she had successful shows in Detroit and St. Louis.
Erlichman then
booked her at an even more upscale nightclub in Manhattan, the Blue
Angel, where she became an even bigger hit during the period of 1961 to
1962.
Streisand once told Jimmy Fallon, whom she sang a duet with,
[37] on the
Tonight Show, that Erlichman was a "fantastic manager" and still managed her career after 50 years.
[38]
While appearing at the Blue Angel, theater director and playwright
Arthur Laurents asked her to audition for a new musical comedy he was directing,
I Can Get It for You Wholesale.
She got the part of secretary to the lead actor businessman, played by then unknown
Elliott Gould.
[23]:9
They fell in love during rehearsals and eventually moved into a small
apartment together above a seafood restaurant on Third Avenue.
The show
opened on March 22, 1962, at the
Shubert Theater, and received rave reviews.
Her performance "stopped the show cold," writes Nickens,
[23]:9 and she became Broadway's most exciting and youngest new star.
[23]:10
Groucho Marx, while hosting the
Tonight Show, told her that twenty was an "extremely young age to be a success on Broadway."
[39]
Streisand received a Tony nomination and a New York Drama Critic's prize for Best Supporting Actress.
[40]
The show was recorded and it was the first time the public could purchase an album of her singing.
[23]:10
Television appearances, marriage, and first albums
Streisand's first television appearance was on
The Tonight Show, then credited to its usual host
Jack Paar.
She was seen during an April 1961 episode on which
Orson Bean substituted for Paar. She sang
Harold Arlen's "
A Sleepin' Bee".
[41]
During her appearance,
Phyllis Diller, also a guest on the show, called her "one of the great singing talents in the world."
[42]
Later in 1961, before she was cast in
Another Evening With Harry Stoones, she became a semi-regular on
PM East/PM West, a talk/variety series hosted by
Mike Wallace and
Joyce Davidson.
[43]
Her appearance with Orson Bean and his other guest Phyllis Diller on
The Tonight Show was preserved by
kinescope and has been viewed online by many people who were not alive in 1961. None of the video of Streisand on
PM East/PM West was preserved for posterity.
In May 1962, Streisand appeared on
The Garry Moore Show,
where she sang "Happy Days Are Here Again" for the first time. Her sad,
slow version of the 1930s upbeat Democratic Party theme song became her
signature song during this early phase of her career.
[23]:10
Johnny Carson had her on the
Tonight Show
half a dozen times in 1962 and 1963, and she became a favorite of his
television audience and himself personally. He described her as an
"exciting new singer."
[44]
During one show she joked with
Groucho Marx, who liked her style of humor.
[23]:10
"She did three or four songs, and she was beyond brilliant — so amazing."
Elliott Gould, about their first play together in 1961[45]
In December 1962 she made the first of a number of appearances on the
Ed Sullivan Show, was later a cohost on the
Mike Douglas Show, and made an impact on a number of
Bob Hope specials. Performing with her on the Ed Sullivan Show was
Liberace
who became an instant fan of the young singer. Liberace invited her to
Las Vegas, Nevada to perform as his opening act at the Riviera Hotel.
Liberace is credited with introducing Barbara to Western American
audiences.
[46] The following September, during her ongoing shows at Harrah's Hotel in Lake Tahoe, she and
Elliott Gould
took time off to get married in Carson City, Nevada. With her career
and popularity rising so quickly, she saw her marriage to Gould as a
"stabilizing influence."
[23]:11
Her first album,
The Barbra Streisand Album in early 1963, made the top 10 on the
Billboard chart and won three
Grammy Awards.
[23]:11
The album made her the best-selling female vocalist in the country.
[23]:11 That summer she also released
The Second Barbra Streisand Album, which established her as the "most exciting new personality since
Elvis Presley."
[23]:11
She ended that breakthrough year of 1963 by performing one-night
concerts in Indianapolis, San Jose, Chicago, Sacramento, and Los
Angeles.
[23]:11
Streisand returned to Broadway in 1964 with an acclaimed performance as entertainer
Fanny Brice in
Funny Girl at the
Winter Garden Theatre.
The show introduced two of her signature songs, "People" and "Don't
Rain on My Parade." Because of the play's overnight success, she
appeared on the cover of
Time.
In 1964 Streisand was nominated for a Tony Award for
Best Actress in a Musical but lost to
Carol Channing in
Hello, Dolly! Streisand received an honorary "Star of the Decade" Tony Award in 1970.
[47]
In 1966, she repeated her success with
Funny Girl in London's West End at the
Prince of Wales Theatre. From 1965 to 1967 she appeared in her first four solo television specials.
Career
Singing
Streisand has recorded 50 studio albums, almost all with
Columbia Records. Her early works in the 1960s (her debut
The Barbra Streisand Album,
The Second Barbra Streisand Album,
The Third Album,
My Name Is Barbra,
etc.) are considered classic renditions of theatre and cabaret
standards, including her pensive version of the normally uptempo "
Happy Days Are Here Again".
She performed this in a duet with Judy Garland on
The Judy Garland Show. Garland referred to her on the air as one of the last great
belters.
They also sang "
There's No Business Like Show Business" with
Ethel Merman joining them.
[48]
Beginning with
My Name Is Barbra, her early albums were often
medley-filled keepsakes of her television specials. Starting in 1969,
she began attempting more contemporary material, but like many talented
singers of the day, she found herself out of her element with rock.
Her
vocal talents prevailed, and she gained newfound success with the pop
and ballad-oriented
Richard Perry-produced album
Stoney End in 1971. The title track, written by
Laura Nyro, was a major hit for Streisand.
During the 1970s, she was also highly prominent on the pop charts, with Top 10 recordings such as "
The Way We Were" (US No. 1), "
Evergreen (Love Theme from A Star Is Born)" (US No. 1), "
No More Tears (Enough Is Enough)" (1979, with
Donna Summer), which as of 2010 is reportedly still the most commercially successful duet, (US No. 1), "
You Don't Bring Me Flowers" (with
Neil Diamond)
(US No. 1) and "The Main Event" (US No. 3), some of which came from
soundtrack recordings of her films.
As the 1970s ended, Streisand was
named the most successful female singer in the U.S. — only
Elvis Presley and
The Beatles had sold more albums.
[49]
In 1980, she released her best-selling effort to date, the
Barry Gibb-produced
Guilty. The album contained the hits "
Woman in Love" (which spent several weeks on top of the pop charts in the fall of 1980), "
Guilty", and "
What Kind of Fool".
After years of largely ignoring Broadway and traditional pop music in
favor of more contemporary material, Streisand returned to her
musical-theatre roots with 1985's
The Broadway Album,
which was unexpectedly successful, holding the coveted No. 1 Billboard
position for three straight weeks, and being certified quadruple
platinum.
The album featured tunes by
Rodgers and Hammerstein,
George Gershwin,
Jerome Kern, and
Stephen Sondheim, who was persuaded to rework some of his songs especially for this recording.
The Broadway Album
was met with acclaim, including a Grammy nomination for album of the
year and, ultimately, handed Streisand her eighth Grammy as Best Female
Vocalist.
After releasing the live album
One Voice
in 1986, Streisand was set to release another album of Broadway songs
in 1988. She recorded several cuts for the album under the direction of
Rupert Holmes, including "
On My Own" (from
Les Misérables), a medley of "How Are Things in Glocca Morra?" and "Heather on the Hill" (from
Finian's Rainbow and
Brigadoon, respectively), "
All I Ask of You" (from
The Phantom of the Opera), "Warm All Over" (from
The Most Happy Fella) and an unusual solo version of "
Make Our Garden Grow" (from
Candide).
Streisand was not happy with the direction of the project and it was
ultimately scrapped. Only "Warm All Over" and a reworked, lite
FM-friendly version of "All I Ask of You" were ever released, the latter
appearing on Streisand's 1988 effort,
Till I Loved You.
At the beginning of the 1990s, Streisand started focusing on her film
directorial efforts and became almost inactive in the recording studio.
In 1991, a four-disc box set,
Just for the Record, was released. A
compilation spanning Streisand's entire career to date, it featured
over 70 tracks of live performances, greatest hits, rarities and
previously unreleased material.
Streisand taping her TV Special Barbra Streisand... and other Musical Instruments in 1973
The following year, Streisand's concert fundraising events helped propel former
Pres.
Bill Clinton into the spotlight and into office.
[50]
Streisand later introduced Clinton at his inauguration in 1993.
Streisand's music career, however, was largely on hold. A 1992
appearance at an APLA benefit as well as the aforementioned inaugural
performance hinted that Streisand was becoming more receptive to the
idea of live performances.
A tour was suggested, though Streisand would
not immediately commit to it, citing her well-known stage fright as well
as security concerns. During this time, Streisand finally returned to
the recording studio and released
Back to Broadway
in June 1993.
The album was not as universally lauded as its
predecessor, but it did debut at No. 1 on the pop charts (a rare feat
for an artist of Streisand's age, especially given that it relegated
Janet Jackson's
Janet to the No. 2 spot).
One of the album's highlights was a medley of "
I Have A Love" / "One Hand, One Heart", a duet with
Johnny Mathis, who Streisand said is one of her favorite singers.
[51][52]
In 1993,
New York Times music critic
Stephen Holden wrote that Streisand "enjoys a cultural status that only one other American entertainer,
Frank Sinatra, has achieved in the last half century".
[53]
In September 1993, Streisand announced her first public concert
appearances in 27 years (if one does not count her Las Vegas nightclub
performances between 1969 and 1972). What began as a two-night New
Year's event at the
MGM Grand Las Vegas
eventually led to a multi-city tour in the summer of 1994.
Tickets for
the tour were sold out in under one hour. Streisand also appeared on the
covers of major magazines in anticipation of what
Time magazine
named "The Music Event of the Century." The tour was one of the biggest
all-media merchandise parlays in history.
Ticket prices ranged from
US$50 to US$1,500 – making Streisand the highest-paid concert performer
in history.
Barbra Streisand: The Concert went on to be the top-grossing concert of the year and earned five
Emmy Awards and the
Peabody Award, while the taped broadcast on
HBO
is, to date, the highest-rated concert special in HBO's 30-year
history.
Following the tour's conclusion, Streisand once again kept a
low profile musically, instead focusing her efforts on acting and
directing duties as well as a burgeoning romance with actor
James Brolin.
In 1996, Streisand released "
I Finally Found Someone" as a duet with Canadian singer and songwriter
Bryan Adams. The song was nominated for an Oscar as it was part of the soundtrack of Streisand's self-directed movie
The Mirror Has Two Faces.
It reached #8 on the Billboard Hot 100, and was her first significant
hit in almost a decade and her first top 10 hit on the Hot 100 (and
first gold single) since 1981.
In 1997, she finally returned to the recording studio, releasing
Higher Ground, a collection of songs of a loosely inspirational nature which also featured a duet with
Céline Dion.
The album received generally favorable reviews and, remarkably, once
again debuted at No. 1 on the pop charts.
Following her marriage to
Brolin in 1998, Streisand recorded an album of love songs entitled
A Love Like Ours
the following year. Reviews were mixed, with many critics complaining
about the somewhat syrupy sentiments and overly-lush arrangements;
however, it did produce a modest hit for Streisand in the country-tinged
"If You Ever Leave Me", a duet with
Vince Gill.
On New Year's Eve 1999, Streisand returned to the concert stage,
selling out in the first few hours, eight months before her return.
[54]
At the end of the millennium, she was the number one female singer in
the U.S., with at least two No. 1 albums in each decade since she began
performing. A two-disc live album of the concert entitled
Timeless: Live in Concert was released in 2000.
Streisand performed versions of the
Timeless
concert in Sydney and Melbourne, Australia, in early 2000.
In advance
of four concerts (two each in Los Angeles and New York) in September
2000, Streisand announced that she was retiring from playing public
concerts.
Her performance of the song "
People" was broadcast on the Internet via America Online.
Streisand's most recent albums have been
Christmas Memories
(2001), a somewhat somber collection of holiday songs (which felt
entirely —albeit unintentionally— appropriate in the early post-9/11
days), and
The Movie Album (2003), featuring famous film themes and backed by a large symphony orchestra.
Guilty Pleasures (called
Guilty Too in the UK), a collaboration with Barry Gibb and a sequel to their
Guilty, was released worldwide in 2005.
Barbra Streisand performing in July 2007 at
The O2 Arena in London
In February 2006, Streisand recorded the song "Smile" alongside
Tony Bennett at Streisand's
Malibu home. The song is included on Bennett's 80th birthday album,
Duets.
In September 2006, the pair filmed a live performance of the song for a special directed by
Rob Marshall entitled
Tony Bennett: An American Classic.
The special aired on NBC November 21, 2006, and was released on DVD the
same day. Streisand's duet with Bennett opened the special.
In 2006,
Streisand announced her intent to tour again, in an effort to raise
money and awareness for multiple issues. After four days of rehearsal at
the
Sovereign Bank Arena in
Trenton, New Jersey, the tour began on October 4 at the
Wachovia Center in
Philadelphia, continued with a featured stop in
Fort Lauderdale, Florida,
(this was the concert Streisand chose to film for a TV special), and
concluded at Staples Center in Los Angeles on November 20, 2006. Special
guests
Il Divo were interwoven throughout the show.
The show was known as
Streisand: The Tour.
Streisand's 20-concert tour set box-office records. At the age of 64,
well past the prime of most performers, she grossed $92,457,062 and set
house gross records in 14 of the 16 arenas played on the tour.
She set
the third-place record for her October 9, 2006 show at Madison Square
Garden, the first- and second-place records of which are held by her two
shows in September 2000.
She set the second-place record at the
MGM Grand Garden Arena,
with her December 31, 1999 show being the house record and the
highest-grossing concert of all time. This led many people to openly
criticize Streisand for
price gouging, as many tickets sold for upwards of $1,000.
[55]
A collection of performances culled from different stops on this tour,
Live in Concert 2006, debuted at No. 7 on the
Billboard 200, making it Streisand's 29th Top 10 album.
[56]
In the summer of 2007, Streisand gave concerts for the first time in continental Europe. The first concert took place in
Zürich (June 18), then Vienna (June 22), Paris (June 26), Berlin (June 30),
Stockholm (July 4, canceled),
Manchester (July 10) and
Celbridge, near
Dublin
(July 14), followed by three concerts in London (July 18, 22 and 25),
the only European city where Streisand had performed before 2007.
Tickets for the London dates cost between £100.00 and £1,500.00 and for
the
Ireland
date between €118 and €500. The Ireland date was marred by problems,
with serious parking and seating problems leading to the event's being
dubbed a fiasco by
Hot Press.
[57]
The tour included a 58-piece orchestra.
In February 2008,
Forbes listed Streisand as the No.-2-earning female musician, between June 2006 and June 2007, with earnings of about $60 million.
[58]
On November 17, 2008, Streisand returned to the studio to begin recording what would be her sixty-third album
[59] and it was announced that
Diana Krall was producing the album.
[60]
Streisand is one of the recipients of the 2008 Kennedy Center Honors.
[61] On December 7, 2008, she visited the White House as part of the ceremonies.
[59]
On April 25, 2009,
CBS aired Streisand's latest television special,
Streisand: Live in Concert, highlighting the aforementioned featured stop from her 2006 North American tour, in
Fort Lauderdale, Florida. On September 26, 2009, Streisand performed a one-night-only show at the
Village Vanguard in New York City's Greenwich Village.
[62]
This performance was later released on DVD as
One Night Only: Barbra Streisand and Quartet at The Village Vanguard.
On September 29, 2009, Streisand and Columbia Records released her newest studio album,
Love is the Answer, produced by
Diana Krall.
[63]
On October 2, 2009, Streisand made her British television performance debut with an interview on
Friday Night with Jonathan Ross
to promote the album. This album debuted at No. 1 on the Billboard 200
and registered her biggest weekly sales since 1997, making Streisand the
only artist in history to achieve No. 1 albums in five different
decades.
On February 1, 2010, Streisand joined over eighty other artists in recording a new version of the 1985 charity single "
We Are the World".
Quincy Jones and
Lionel Richie
planned to release the new version to mark the 25th anniversary of its
original recording. These plans changed, however, in view of the
devastating earthquake that hit
Haiti on January 12, 2010, and on February 12, the song, now called "
We Are the World 25 for Haiti", made its debut as a charity single to support relief aid for the beleaguered island nation.
In 2011, she sang
Somewhere from the Broadway musical
West Side Story, with
child prodigy Jackie Evancho, on Evancho's album
Dream with Me.
[64]
Streisand was honored as
MusiCares Person of the Year on February 11, 2011, two days prior to the 53rd Annual
Grammy Awards.
[65]
On October 11, 2012, Streisand gave a three-hour concert performance
before a crowd of 18,000 as part of the ongoing inaugural events of
Barclays Center (and part of her current
Barbra Live
tour) in her native Brooklyn (her first-ever public performance in her
home borough).
Streisand was joined onstage by trumpeter
Chris Botti, Italian operatic trio
Il Volo, and her son
Jason Gould. The concert included musical tributes by Streisand to
Donna Summer and
Marvin Hamlisch, both of whom had died earlier in 2012.
Confirmed attendees included
Barbara Walters,
Jimmy Fallon,
Sting,
Katie Couric,
Woody Allen,
Michael Douglas and New York City mayor
Michael Bloomberg, as well as designers
Calvin Klein,
Donna Karan,
Ralph Lauren and
Michael Kors.
[66][67]
In June 2013 she gave two concerts in
Bloomfield Stadium,
Tel Aviv.
Streisand is one of many singers who use
teleprompters
during their live performances. Streisand has defended her choice in
using teleprompters to display lyrics and, sometimes, banter.
[68]
In September 2014,
[69] she released
Partners, a new album of duets that features collaborations with
Elvis Presley,
Andrea Bocelli,
Stevie Wonder,
Lionel Richie,
Billy Joel,
Babyface,
Michael Bublé,
Josh Groban,
John Mayer,
John Legend,
Blake Shelton and
Jason Gould.
This album topped the
Billboard 200
with sales of 196,000 copies in the first week, making Streisand the
only recording artist to have a number-one album in each of the last six
decades.
[70]
It was also certified gold in November 2014 and platinum in January
2015, thus becoming Streisand's 52nd gold and 31st Platinum album, more
than any other female artist in history.
[71]
In May 2016, Streisand announced the upcoming album
Encore: Movie Partners Sing Broadway to be released in August following a nine-city concert tour,
Barbra: The Music, The Mem'ries, The Magic, including performances in Los Angeles, Las Vegas, Philadelphia, and a return to her hometown of Brooklyn.
[72]
Acting
Her first film was a reprise of her Broadway hit,
Funny Girl (1968), an artistic and commercial success directed by Hollywood veteran
William Wyler.
Streisand won the 1968
Academy Award for Best Actress for the role,
[73] sharing it with
Katharine Hepburn (
The Lion in Winter), the only time there has been a tie in this
Oscar category.
[74]
Her next two movies were also based on musicals,
Jerry Herman's
Hello, Dolly!, directed by
Gene Kelly (1969); and
Alan Jay Lerner's and
Burton Lane's
On a Clear Day You Can See Forever, directed by
Vincente Minnelli (1970); while her fourth film was based on the Broadway play
The Owl and the Pussycat (1970).
[75]
During the 1970s, Streisand starred in several
screwball comedies, including
What's Up, Doc? (1972) and
The Main Event (1979), both co-starring
Ryan O'Neal, and
For Pete's Sake (1974) with
Michael Sarrazin.
One of her most famous roles during this period was in the drama
The Way We Were (1973) with
Robert Redford, for which she received an
Academy Award nomination as Best Actress.
She earned her second
Academy Award for
Best Original Song (with lyricist
Paul Williams) for the song "
Evergreen", from
A Star Is Born in 1976,
[76] in which she also starred.
Along with
Paul Newman,
Sidney Poitier and later
Steve McQueen, Streisand formed
First Artists
Production Company in 1969, so that the actors could secure properties
and develop movie projects for themselves. Streisand's initial outing
with First Artists was
Up the Sandbox (1972).
[77]
From a period beginning in 1969 and ending in 1980, Streisand appeared in
Top Ten Money Making Stars Poll, the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times,
[78] often as the only woman on the list.
After the commercially disappointing
All Night Long in 1981, Streisand's film output decreased considerably. She has acted in only eight films since.
"I'm impressed with her choosing
Yentl; it was extraordinary.
But for some reason, Hollywood turned against her...there was a lack of
sympathy toward her...Christ, she could have played
Cleopatra better than
Liz Taylor, with her enormous power and the subtlety of her singing...She is one of the great actresses and she hasn't been well used."
director John Huston, Playboy interview, 1985[79]
Streisand produced a number of her own films, setting up Barwood Films in 1972.
For
Yentl (1983), she was producer, director, and star, an experience she repeated for
The Prince of Tides (1991) and
The Mirror Has Two Faces (1996).
There was controversy when
Yentl received five Academy Award nominations, but none for the major categories of Best Picture, Actress, or Director.
[80]
The Prince of Tides
received even more Oscar nominations, including Best Picture and Best
Screenplay, although not for director. Upon completion of the film, its
screenwriter,
Pat Conroy, who also authored the novel, called Streisand "a goddess who walks upon the earth."
[23]:xii
Streisand also scripted
Yentl, something for which she is not always given credit. According to
The New York Times editorial page editor
Andrew Rosenthal
in an interview with Allan Wolper, "The one thing that makes Barbra
Streisand crazy is when nobody gives her the credit for having written
Yentl."
[81]
In 2004, Streisand made a return to film acting after an eight-year hiatus, in the comedy
Meet the Fockers (a sequel to
Meet the Parents), playing opposite
Dustin Hoffman,
Ben Stiller,
Blythe Danner and
Robert De Niro.
In 2005, Streisand's Barwood Films, Gary Smith, and Sonny Murray purchased the rights to
Simon Mawer's book
Mendel's Dwarf.
[82]
In December 2008, she stated that she was considering directing an adaptation of
Larry Kramer's play
The Normal Heart, a project she has worked on since the mid-1990s.
[83]
In December 2010, Streisand appeared in
Little Fockers, the third film from the
Meet the Parents trilogy. She reprised the role of Roz Focker alongside
Dustin Hoffman.
On January 28, 2011,
The Hollywood Reporter announced that Paramount Pictures had given the green light to begin shooting the
road-trip comedy
My Mother's Curse, with
Seth Rogen playing Streisand's character's son.
Anne Fletcher directed the project with a script by
Dan Fogelman, produced by
Lorne Michaels,
John Goldwyn, and
Evan Goldberg. Executive producers included Streisand, Rogen, Fogelman, and
David Ellison, whose
Skydance Productions co-financed the
road movie.
[84]
Shooting began in spring 2011 and wrapped in July; the film's title was eventually altered to
The Guilt Trip, and the movie was released in December 2012.
It's confirmed that Streisand has been set to star in a new feature film adaptation of the musical
Gypsy – featuring music by
Jules Styne, a book by
Arthur Laurents and lyrics by
Stephen Sondheim – with
Richard LaGravenese reportedly attached to the project as screenwriter.
[85]
In April 2016, it was reported that Streisand was in advanced
negotiations to star in and produce the film, which will be directed by
Barry Levinson and distributed by
STX Entertainment.
[86]
Two months later, it was reported that the film's script had been
completed and that production is aiming to begin in early 2017.
[87]
Barbra Streisand is set to direct the historical drama
Catherine the Great, a feature biopic about the 18th-century Russian empress, based on the top 2014 Black List script, produced by Gil Netter.
[88][89]
Artistry
Streisand is a
mezzo-soprano who has a range consisting of three octaves and 2 notes from B2 to a D6.
[90][91]
However, she has been identified by Whitney Balliett of
The New Yorker
as "a contralto with a couple of octaves at her command, and she wows
her listeners with her shrewd dynamics (in-your-ear soft here,
elbowing-loud there), her bravura climbs, her rolling vibrato, and the
singular Streisand-from-Brooklyn nasal quality of her voice — a voice as
immediately recognizable in its way as Louis Armstrong's."
[92] Music writer Allegra Rossi adds that Streisand creates complete compositions in her head:
Even though she can't read or write music, Barbra hears melodies as
completed compositions in her head. She hears a melody and takes it in,
learning it quickly. Barbra developed her ability to sustain long notes
because she wanted to. She can mold a tune that others cannot; she's
able to sing between song and speech, keeping in tune, carrying rhythm
and meaning.[30][a]
While she is predominantly a pop singer, Streisand's voice has been
described as "semi-operatic" due to its strength and quality of tone.
[94]
According to Adam Feldman of
Time Out, Streisand's "signature vocal style" is "a suspension bridge between old-school belting and microphone pop."
[95]
She is known for her ability to hold relatively high notes, both loud
and soft, with great intensity, as well as for her ability to make
slight but unobtrusive embellishments on a melodic line.
The former
quality led classical pianist
Glenn Gould to call himself "a Streisand freak".
[96]
In recent years, critics and audiences have noted that her voice has
"lowered and acquired an occasionally husky edge".
However,
New York Times
music critic Stephen Holden noted that her distinctive tone and musical
instincts remain, and that she still "has the gift of conveying a
primal human longing in a beautiful sound".
[94]
Paul Taylor of
The Independent
wrote that Streisand "has sounded a little scratchy and frayed, though
the stout resolve and superb technique with which Streisand manages to
hoist it over these difficulties has come to seem morally as well
aesthetically impressive."
[97]
Reviewing Streisand's most recent studio effort
Partners, Gil Naveh of
Haaretz
described Streisand's voice as "velvety, clear and powerful … and the
passing years have given it a fascinating depth and roughness."
[98]
Personal life
Relationships and family
Streisand with husband Elliott Gould and son Jason (1967)
Streisand has been married twice. Her first husband was actor
Elliott Gould, to whom she was married from 1963 until 1971. They had one child,
Jason Gould, who appeared as her on-screen son in
The Prince of Tides.
In 1969 and 1970, Streisand dated
Canadian Prime Minister
Pierre Trudeau.
[99][100][101]
She started a relationship with hairdresser/producer
Jon Peters in 1974.
He went on to be her manager and producer.
[102]
She is the godmother of his daughters,
Caleigh Peters and Skye Peters.
[103]
Streisand dated tennis champion
Andre Agassi
in the early 1990s.
Writing about the relationship in his 2009
autobiography, Agassi said: "We agree that we're good for each other,
and so what if she's twenty-eight years older?
We're simpatico, and the
public outcry only adds spice to our connection. It makes our friendship
feel forbidden, taboo – another piece of my overall rebellion. Dating
Barbra Streisand is like wearing Hot Lava."
[104]
Her second husband is actor
James Brolin, whom she married on July 1, 1998.
[105] While they have no children together, Brolin has two children from his first marriage, including actor
Josh Brolin, and one child from his second marriage.
Name
Streisand changed her name from Barbara to Barbra because, she said, "I hated the name, but I refused to change it."
[106]
Streisand further explained, "Well, I was 18 and I wanted to be unique,
but I didn't want to change my name because that was too false.
You
know, people were saying you could be Joanie Sands, or something like
that. (My middle name is Joan.) And I said, 'No, let's see, if I take
out the 'a,' it's still 'Barbara,' but it's unique."
[107]
A 1967 biography with a concert program said, "the spelling of her
first name is an instance of partial rebellion: she was advised to
change her last name and retaliated by dropping an "a" from the first
instead."
[108]
Politics
Streisand has long been an active supporter of the
Democratic Party and many of its causes.
In 1971, Streisand was one of the celebrities listed on President
Richard Nixon's infamous
Enemies List.
[109]
Streisand is a supporter of gay rights, and in 2007 helped raise funds in an unsuccessful attempt to defeat
Proposition 8 in California.
[110]
In June 2013 she helped celebrate the 90th birthday of
Shimon Peres held at
Jerusalem's international convention center.
[111]
She also performed at two other concerts in Tel Aviv that same week, part of her first concert tour of Israel.
[112]
Philanthropy
In 1984, Streisand donated the Emanuel Streisand Building for Jewish Studies to the
Hebrew University of Jerusalem, in the Mount Scopus campus, in memory of her father, an educator and scholar who died when she was young.
[113][114][115]
Streisand has personally raised $25 million
[116] for organizations through her live performances.
The Streisand Foundation,
[117]
established in 1986, has contributed over $16 million through nearly
1,000 grants to "national organizations working on preservation of the
environment, voter education, the protection of
civil liberties and
civil rights,
women's issues[118] and
nuclear disarmament".
[119]
In 2006, Streisand donated $1 million to the
William J. Clinton Foundation in support of former President
Bill Clinton's climate change initiative.
[120]
In 2009, Streisand gifted $5 million to endow the Barbra Streisand Women's Cardiovascular Research and Education Program at
Cedars-Sinai Medical Center's Women's Heart Center.
[121]
In September that year,
Parade
magazine included Streisand on its Giving Back Fund's second annual
Giving Back 30 survey, "a ranking of the celebrities who have made the
largest donations to charity in 2007 according to public records",
[122]
as the third most generous celebrity.
The Giving Back Fund claimed
Streisand donated $11 million, which The Streisand Foundation
distributed.
In 2012 she raised $22 million to support her women's
cardiovascular center, bringing her own personal contribution to
$10 million. The program was officially named the Barbra Streisand
Women's Heart Center.
At Julien's Auctions in October 2009, Streisand, a longtime collector
of art and furniture, sold 526 items, with all the proceeds going to
her foundation.
Items included a costume from
Funny Lady and a vintage dental cabinet purchased by the performer at 18 years old. The sale's most valuable lot was a painting by
Kees van Dongen.
[123]
In December 2011, she appeared at a fundraising gala for
Israel Defense Forces charities.
[124]
Legacy
Honors
Streisand was presented Distinguished Merit Award by
Mademoiselle in 1964, and selected as Miss Ziegfeld in 1965.
In 1968, she received the Israel Freedom Medal, the highest civilian award of
Israel, and she was awarded Pied Piper Award by
ASCAP and
Prix De L'Academie Charles Cros in 1969, Crystal Apple by her hometown City of New York, Woman of Achievement in the Arts by
Anti-Defamation League in 1978.
In 1984, Streisand was awarded the
Women in Film Crystal Award
for outstanding women who, through their endurance and the excellence
of their work, have helped to expand the role of women within the
entertainment industry.
[125]
She received the Woman of Courage Award by the
National Organization for Women (NOW),
the Ordre des Arts et des Lettres [126] and Scopus Award by
American Friends of The Hebrew University.
She received Breakthrough Awards for "making films that portray women
with serious complexity" at the Women, Men and Media symposium in 1991.
[127]
In 1992, she was given the Commitment to Life Award by
AIDS Project Los Angeles(APLA), and the Bill of Rights Award by the
American Civil Liberties Union of Southern California, the Dorothy Arzner Special Recognition by
Women in Film, and the Golden Plate by the
Academy of Achievement.
She was honored with the Harry Chapin Humanitarian Award from the
ASCAP in 1994 and the
Peabody Award in 1995, the same year she was accorded an Honorary Doctorate In Arts and Humanities by
Brandeis University.
[126]
She was also awarded Filmmaker of the Year Award for "lifetime achievement in filmmaking" by ShowEast and
Peabody Award in 1996,
Christopher Award in 1998.
In 2000, President Bill Clinton presented Streisand with the
National Medal of Arts,the highest honor specifically given for achievement in the arts,
[128] and
Library of Congress Living Legend, she also received the highest honor for a career in film
AFI Life Achievement Award from
American Film Institute and Liberty and Justice Award from
Rainbow/PUSH Coalition,
Gracie Allen Award，First
Annual Jewish Image Awards in 2001, and Humanitarian Award "for her
years of leadership, vision, and activism in the fight for civil
liberties, including religion, race, gender equality and freedom of
speech, as well as all aspects of gay rights" from
Human Rights Campaign in 2004.
In 2007, French President Nicolas Sarkozy presented Streisand with
Legion of Honour, the highest decoration in France, and President George W. Bush presented her
Kennedy Center Honors, the highest recognition of cultural achievement.
In 2011, she was given Board of Governors Humanitarian Award for her
efforts on behalf of women's heart health and her many other
philanthropic activities." by
Cedars-Sinai Heart Institute.
She received the L'Oréal Paris Legend Award in 18th
Elle Magazine Women in Hollywood. In 2012, she received a Lifetime Achievement Award from the
Women Film Critics Circle.
She was accorded an Honorary Doctorate of Philosophy by the
Hebrew University of Jerusalem in 2013.
In that year, she was also recipient of the Charlie Chaplin Award for Lifetime Achievement by the
Film Society of Lincoln Center as the only female artist to direct, write, produce and star in the same major studio film,
Yentl,[129] along with a Lifetime Achievement
Glamour Awards.
[130]
In 2014, Streisand was on one of eight different
New York Magazine
covers celebrating the magazine's "100 Years, 100 Songs, 100 Nights: A
Century of Pop Music in New York". She also received the
American Society of Cinematographers (ASC) Board of Governors Award,
[131] the Sherry Lansing Leadership Award at
The Hollywood Reporter's annual Women in Entertainment Breakfast,
[132] and came first in the 1010 Wins Iconic Celebrity Poll by CBS in 2015.
[126]
In November 2015, President
Barack Obama announced that Streisand would receive the
Presidential Medal of Freedom, the highest
civilian award of the
United States.
[133]
Streisand was inducted into and
Hollywood Walk of Fame in 1976,
Goldmine Hall of Fama in 2002,
[134] Long Island Music Hall of Fame in 2007,
[135] the
Hit Parade Hall of Fame in 2009,
[136] National Museum of American Jewish History and
California Hall of Fame in 2010.
[126]
In 1970, she received a
Special Tony Award named Star of the Decade,and selected as Star of the Decade by the
National Association of Theatre Owners (NATO) in 1980, Star of Decade by NATO/ShowWest and President's Award by
NARM in 1988.
That year she was also named as All-Time Favorite Musical Performer by
People's Choice Awards.
In 1986,
Life named her as one of Five Hollywood's Most Powerful Women.
[137] In 1998,
Harris Poll reported that she is the "Most Popular Singer Among Adult Americans of All Ages."
She was also featured on
VH1's 100 Greatest Women of Rock N Roll,
[138] the Top 100 Singers of all time by
Mojo magazine,
[139] named the century's best female singer in a Reuters/Zogby poll and "Top Female Artist of the Century" by
Recording Industry Association of America in 1999.
[140]
In 2006, Streisand was one of honorees at
Oprah Winfrey's white-tie Legends Ball.
[142] In 2011, the British tabloid
The Sun ranked Streisand as "The 50 female singers who will never be forgotten".
[143]
The Daily Telegraph ranked Streisand as the 10 top female singer-songwriters of all time.
[144]
A&E's
Biography magazine ranked Streisand as one of their favorite leading actress of all time,
[145] she was also featured on the Voices of the Century list by
BBC,
[146] the "100 Greatest Movie Stars of Time" list compiled by
People,
VH1's list of the "200 Greatest Pop Culture Icons of All Time",
[148] the "100 Greatest Entertainers of All Time"（ranked at #13） and the "Greatest Movie Star of all time list" by
Entertainment Weekly,
[138] "The 50 Greatest Actresses of All Tim" by
AMC,
[149] and Billboard Hot 100 All-Time Top Artists.
[150]
Billboard also ranked Streisand as the top female Jewish musician of all time.
[151]
As a gay icon, Streisand was named by
The Advocate as one of the "25 Coolest Women" and the "9 Coolest Women Appealing to Both Lesbians and Gay Men",
[152] and was also placed among the "12 Greatest Female Gay Icons of All Time" by
Out magazine.
[153]
She was recognized as one of the top gay icons of the past three decades by
Gay Times.
[154]
During the first decade of the 21st century, the
American Film Institute celebrated 100 years of the greatest films in American cinema. Four of Streisand's songs were represented on
AFI's 100 Years...100 Songs, which highlighted "America's Greatest Music in the Movies": "The Way We Were" at #8, "Evergreen (Love Theme From
A Star Is Born)"
at # 16, "People" at #13, and "Don't Rain On My Parade" at #46.
Many of
her films were represented on AFI's 100 Years... series.
AFI's 100 Years...100 Laughs, highlighting "the films and film artists that have made audiences laugh throughout the century," ranked
What's Up, Doc? at #61.
AFI's 100 Years...100 Passions highlighted the top 100 greatest love stories in American cinema and placed
The Way We Were at #8,
Funny Girl at #41, and
What's Up, Doc? at #68.
AFI's Greatest Movie Musicals highlighted the 25 greatest American movie musicals, ranking
Funny Girl at #16.
Professional memberships
As
one of the most acclaimed actresses, singers, directors, writers,
composers, producers, designers, photographers, and activists in every
medium that she's worked in, Barbra is the only artist who is
concurrently a member of the
American Society of Composers, Authors and Publishers, the
Screen Actors Guild, the
American Federation of Television and Radio Artists, the
Academy of Motion Pictures Arts and Sciences, and
Actors' Equity Association, as well as the honorary chairwoman of the board of directors of
Hadassah's International Research Institute on Women.
[155]
References in television
On the sketch comedy show
Saturday Night Live, in the recurring skit "
Coffee Talk", character
Linda Richman, played by
Mike Myers,
hosts a talk show dedicated to, among other things, the adoration of
Streisand.
Streisand, in turn, made an unannounced guest appearance on
the show, surprising Myers and his guests
Madonna and
Roseanne Barr.
Myers also appeared as the Linda Richman character on stage with
Streisand at her 1994 MGM Grand concert, as well as a few of the 1994
Streisand tour shows.
[156]
References in music
Sound clips of Streisand's heated exchange with a supporter of former U.S. president
George W. Bush were sampled in the 2009
Lucian Piane dance song "
Bale Out", making it sound as if she were arguing with actor
Christian Bale (whose recorded outbursts during the filming of
Terminator Salvation were the centerpiece of the song).
[157]
"
Barbra Streisand" is a disco house song by American-Canadian DJ duo
Duck Sauce (
Armand Van Helden &
A-Trak).
It was released on September 10, 2010.
The song peaked at number one in
Poland, Belgium, the Netherlands, Finland, Switzerland and Austria. It
became a top ten hit in Australia, the United Kingdom, France, Germany,
Ireland, and Italy.
References on stage
Daniel Stern's 2003 Off-Broadway play
Barbra's Wedding was set against the backdrop of Streisand's 1998 wedding to James Brolin.
The 2013 comedy play
Buyer & Cellar, written by Jonathan
Tolins, is set in Streisand's Malibu house cellar.
A struggling actor
finds a job there and one day meets the star. It is a one-man show
starring
Michael Urie that premiered at Rattlestick Playwrights Theatre in April 2013.
[158]
References in fashion
In 1972, the modern
hair crimping iron was invented by Geri Cusenza, the original founder of Sebastian, for Streisand's hair.
[159][160][161][162]
In 1977, Streisand become the first woman celebrity to be on the cover of
Playboy who was interviewed inside.
[163]
In 2011,
Jennifer Aniston paid tribute to Streisand in a series of poses that recreated some of Streisand's classic looks on the cover of
Harper's Bazaar.
[164][165]
In 2013,
Victoria Beckham revealed that Streisand was her own style icon. "She is the epitome of chic.
She looked magnificent. She wears lots of
Donna Karan,
and she had on this fabulous Donna Karan dress that just draped
perfectly.
She had this gorgeous hair. She was just beautiful. I love
her.".
[166]
In celebrating Streisand's 72nd birthday in 2014,
Marie Claire
wrote, "She is an icon in every sense of the world. The Brooklyn-born
triple threat went from a NYC cabaret singer to Broadway star overnight
and went on to conquer the silver screen, pop charts, and every stage
she set foot on.
She also established herself as a fashion icon thanks
to her fearless sense of style".
[167]
"Streisand effect"
The image of Streisand's
Malibu house that led to the naming of the effect
In 2003, Streisand sued aerial photographer Kenneth Adelman for displaying a photograph of her
Malibu, California
home, along with 12,000 other photos of the California coastline taken
to illustrate coastal erosion.
The picture had at that point been
downloaded a total of six times, two of which were by Streisand's
lawyers.
The suit had the
unintended consequence of drawing attention to the photograph, which suddenly became wildly popular and was rapidly copied to multiple
mirror sites outside the immediate reach of US law.
Her lawsuit was eventually dismissed under the anti-
SLAPP provisions of California law.
[168]
[169][170]
Mike Masnick of
Techdirt coined the term "
Streisand effect" in January 2005 to describe the publicity generated by Streisand's efforts to suppress the publication of the photograph.
Source: Wikipedia.org https://en.wikipedia.org/wiki/Barbra_Streisand
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